I decided that to encapsulate the word 'Discovery' I needed to include the child and the image should be a glimpse inside his imagination as it is fired by the discovery. To this end, I wanted to create a feeling of the magic of discovery around him, so I decided to use a jungle texture in the background. I considered adding flesh to the bones in some areas, but that idea felt a bit heavy handed, so I went for my orginal idea of the Lizard eye appearing animated. I also moved the child to opposite the T-Rex so that it had more a feeling of the child approaching the T-Rex and reaching out to touch him.
In the first black and white sketch I went for a dreamscape, but decided that this might be pushing the brief a bit far. So I put the boy into a more static setting and a suggestion of the primordial jungle of his imagination in the background. I tried this image in Pastels..
I had intended to use this as a visual, but actually I rather liked the pastel and the tinted paper which had a bone colour to it. I had wanted to keep the dino and the boys face quite stark to unite them and make them stand out from the lush background. I liked the red eye which could either be a Dino eye or a parrot or something in the jungle.
colour enhanced - pastel |
black and white version |
sepia version |
In a last ditch attempt to crack it I collaged two of the images together so that the stone colour gradually gives way to the vibrant greens and the bright red of the eye as the T-rex extends to the child. Perhaps this one best sums up a sense of 'Discovery'.
My worry is that I'm not sure if this quite works as an image although I like the idea behind it. Perhaps I needed to use different software to move between the monochrome and the colour versions.... it's not as smooth a transition as I would like.
Just for fun, I took the image right out of the literal and into the realm of dreamscape... by inverting the colours of the original pastel drawing.
pastel Discovery - with colour inverted (experiment) |
For some reason, I can't put my finger on, this one rather appeals to me....
I decided to try to get some earthiness back into the image by attempting some acrylic monoprints in a sepia paint to give a more 'stone' like feeling. Printing with Acrylic is new to me, I have always used printers ink before and it's got some advantages.
monoprint 1 with acrylics on mirror |
monoprint 1 colour enhanced on computer |
monoprint 2 |
This was a bit too indistinct for me, perhaps, although I really like the textures in the image.
Monoprint 3 also drawn through and hand tinted |
I was quite pleased with this result... the scratchyness of it works quite well for the stony excavated feel I was trying to achieve. Unfortunately I think the child's face is a bit too indistict. Perhaps I could have changed this in the computer.
As ever, I seem to get rather obsessed by fiddling with images, and all my good intentions of following the brief exactly seem to have gone to pot, as I never really came up with a visual (unless you count the small image in my sketchbook) and still haven't decided which end product works best!
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